Home Sweet Home

I’ve always regretted the fact that German journalists, compared to the Brits, just don’t seem to know how to tell a story. After former host of the German “Tagesschau”, Eva Herman, finally got fired the other week (see “Motherhood Crusader Goes Back To The Kitchen” here), most journalists who bothered to cover this story failed to provide the quote that actually led to the firing. That’s sad, since Herman’s quote, at least in my book, ranks as one of the most lucid things that have been said about the Third Reich, ever. Herman: “Many things in the Third Reich were really bad, for example Hitler” (but some things on the other hand, she continued, were really good).

Copyright 2007 Jens Haas - www.jenshaas.com

That is, I think, like saying “many things are really bad about contemporary photography, for example the photos.” I find this logic most refreshing and strongly intend to apply it to a number of future entries myself.

Speaking of Germania, 73-year-old Cardinal of Cologne, Joachim Meisner, has now turned into an art critic: “Modern art is at the risk of degenerating… when culture is disconnected from divine reverence, the cult descends into ritualism and culture degenerates. It loses its center”. Well, I couldn’t agree more. See here.

Back to my divine traffic cone project now.

An Early Taste Of Death Is Not Necessarily A Bad Thing

I think in a sense it is nice to have a theory on life, and it is even nicer if that theory (or at least part of it) is tested successfully. During the past few weeks, I went through the editing and post processing of my Mountain Project (and the subsequent design of the book from this project) somewhat faster than I had originally intended. Simple reason: An irrational craving for immortality. I experienced some symptoms that, for a son of two medical doctors, did not bode too well. Combine that with the fact that apparently all oncologists of the American East coast take their summer break at the exact same time (well, duh, during the summer), and you find yourself in a rather nasty waiting game. But who wants to die with an unfinished project on one’s notebook? I don’t, and that’s why the book is now almost done.

Copyright 2007 Jens Haas - www.jenshaas.com

So here’s my little theory. The reason why I “became” an artist is simple: I think that if you’re creating something, in my case images, or at any rate, doing something that seems in itself worth doing, you can–regardless of your age–die in peace. I believe that photography, despite its zillions of downsides (and the 99.9 percent likelihood of complete failure), gives you that opportunity. For me, this was the single most important reason for leaving the law firm that I was working for more than ten years ago (not that you cannot do very fulfilling and relevant things as a lawyer, but I think it is still not the same; neither are the things that you can do in the corporate world). In the course of these weeks, prompted by observations during the inevitable waiting times in hospital hallways, it also occurred to me that it has many advantages to die young, when you’re still strong almost right up to the end, instead of being rolled along hospital floors in your bed like a forgotten, broken piece of furniture that is of no help to anyone anymore.

Turns out that what I have are two unrelated and rather harmless things that together caused the symptoms of what pointed towards a much more grim diagnosis. So instead of calling it quits I guess I have to come up with some more images. But it feels good that my plan from ten years ago somehow seems to have worked. During these past weeks, I did not mind (or not very much) the real possibility that this was it. Of course I do mind the *process* of dying. And I do mind leaving behind someone I love, and what would become of her without me. But the real possibility that this was it for me did not seem so bad. Anyway, from now on, just as they say, and now in kind of a certified way: Every day is extra.

Maestro, Il Senso Lor M’È Duro, By Mara L.

This year, the end of my European summer hit hard. Not just because tomatoes and fish in Manhattan don’t taste quite like they do on my favorite island near Napoli, Procida. That’s to be expected, and perhaps it’s even mildly reassuring that things haven’t changed too much in my absence. These days, I think with nostalgia of the times when my worst worry was whether the figs and peaches were perfect. Returning to Manhattan, this year, was like falling into Dante’s hell. To some level of hell were people have self-inflicted ailments, ailments which are reflections of their sins. So what’s my sin? Pointless attraction to Manhattan, which is bound to kill me.

Copyright 2007 Jens Haas - www.jenshaas.com

I came back during some of the hottest days, which I shouldn’t have done, but there is this unfortunate element of my life called work. It took me two or three days, then I had multiple minor illnesses, which make me lie awake at night and picture sinners with gaping black and yellow wounds. I have never had a serious existentialist phase in my life, but now there is a big WHY hanging over my head.

And then I ran into one of my European friends who had the luxury to return a couple weeks later, and who says that he couldn’t be better just coming from, as he put it, *his European beach summer*. I want my European beach summer! Now!

[Edit: Mara’s series runs under the title “Culinary Survival In New York” for a reason. But enough whining now. She’s tough, she’ll get back on track and rejoin the Manhattan rat race in no time, I promise. JH]