I’m always very happy about feedback to my work that refers to what I was actually thinking. When I started the Mountain Project, I thought quite a bit about the need to include references as to scale (like in “Jaws,” when marine biologist Matt Hooper tries to take a picture of the great white shark following their boat, and asks the horrified police chief Martin Brody to stay in the frame, so that he will be a reference for how large the shark is…). Reference as to scale is of course one of the many rules that are supposed to make a good photograph. For my work it has turned out that breaking this rule makes for the best images, while obeying it usually leads to images that are too editorial for my taste. Then there are those, like these two from a couple of weeks ago, that are sort of in between: Both of these photographs include trees (and everybody knows the size of a tree, so there is an obvious reference), but the resulting images are still kind of abstract. They work for me. Thanks for the comment over at issuu.com to Vincent Garofalo.
Pear Sorbet, And More On Hotel Life In Switzerland, By Mara L.
When I saw Jens’ entry on Switzerland from earlier this week, on what a friend of mine likes to call its incomparable “Hotelkultur” (that is, the culture of spending your life in stylish but appropriately understated hotels), I was reminded of the very first sorbet in my life. Naturally, it was served to me in a Jugendstil dining hall in Sils Maria. My family in Italy is more of the icecream-eating kind. That is, there’s patriotic pride in gelato, and there is not the least concern with the tons of calories that real icecream has. But Sils Maria is a place where the rich are not only rich, they are also ‘conscious’ of all kinds of things: the environment, health, and so on. So dessert is sorbet. While I haven’t yet persuaded my family that sorbet is half as good as icecream, I am happily eating it in sugar-fat-and-so-on-conscious Manhattan.
Anyway, I asked Jens whether he had a picture of sorbet, and reluctantly he gave me this one. Not one hundred percent to his liking as a photograph, for all kinds of complicated reasons. But I find the fact that it’s pear sorbet, combined with blueberries, utterly refined. That’s even better than the lemon sorbet (how banal!) I had in Sils Maria…
More Than Five Stars: Nietzsche And The Democratisation Of Luxury
Okay, so if you have money *and* style, you don’t buy a Rolls Royce, you buy a Bentley. And if you go to the Engadin, you don’t go to St. Moritz, you go to Sils Maria, which is just a few minutes down the road (or shall we say: less middle of the road, but more at the remote end of the valley, where only the initiates will go?). That’s where Friedrich Nietzsche used to spend his summers, the altitude apparently having healing powers for his migraines (less sophisticated interpreters of his work might think that the altitude must have inspired illusions of grandeur…). If you have the style *and* the money, you will have time to read the whole article on signandsight, “A St. Moritz Pilgrimage,” which is about this splendid location in the Swiss Alps, its visitors, and the constant, terrifying threat of change. I, on the other hand, have to get some work done today, but glanced over the article just enough to recommend it to you as a must-read. The author nailed it, down to the hairdo of the rich little boys and the double-breasted suits with gold buttons.
Prior to my obsession with the Dolomites, I used to go to Sils Maria a few times myself. We were even shown rooms in the famous “Waldhaus,” just for kicks: We told them that we couldn’t afford it, not even in off-off season, but since we were there, they wanted to show us the rooms anyway, with a trainee coming along to learn, well, how to present the hotel properly. I loved these little snippets from the article, from two “Engadiner Stammgäste”: In the old days, one was more among one’s kind. “In those days, people didn’t just run in and out of the “Palace Hotel.” The Palace was like a bank emporium. It took courage to cross the threshold.” And today? Oh today! The gaunt lady with liver spots on her bony hands, balancing a glass of port by her face, waves dismissively. “These days, grand hotels are in the hands of patrons!” As toys. For prestige. The Palace belongs to the Americans, the Arabs own the “Carlton,” and the “Kulm” is owned by the Niarchos shipping family. “Isn’t one of them a friend of Paris Hilton?” The old lady closes her eyes in mild disgust. “Used to be,” she says, “Used to be.” “And what about the guests?” The people from the old days are still all here. “But one tries to elude the democratisation of luxury, you understand.” She gives me a penetrating look and takes a tiny sip of port.