Genes, Culture, And The American Female

As you know, my therapist Dr. Hare has agreed that I may post some of the issues we are dealing with relating to my little Manhattan life. Except for her name, everything else is very true. This from our latest e-mail exchange:

“Dear Dr. Hare,

I am so sorry that I had to cancel this week’s appointment. It always takes me a little, or rather, a little too long, to settle in again when I am back in the city.

Copyright 2007 Jens Haas - www.jenshaas.com

Last night I went to a dinner party near Broadway and 85th. Had to. You know how much I hate parties. Mostly brainy, Upper West Side intellectual types. Quite a contrast to the Italian mountain folks I’ve been dealing with recently. There was a well known New York art critic present who could actually make or break (well, maybe not break) my career with a stroke of a pen. Literally. He’s retired, but still rather active – his verdicts are all over the place. Well, instead of promoting myself and sucking up to him, I seriously started a debate about Pop Art and was my dismissive self re contemporary photography. Which he of course finds – as he told a charming and increasingly mystified woman innocently standing next to us, with an odd, indulgent smile on his face – “so interesting, but maybe a little pornographic” (I kept thinking, every man needs a good friend who reminds you to shoot yourself once you hit an age where you find parking lots pornographic). While we both hated each other right away, I actually enjoyed that at some point he got upset enough to leave the party prematurely. Another bystander later tried to tell me that things hadn’t gone all that bad, but he was in denial – it was truly horrible.

Then, and this is why I’m writing to you, there was this young woman (apparently she had just graduated) who kept telling everybody how much her fiance is going to make in his first year as a dentist (USD 185.000, according to her). She really seemed excited about this and oddly reminded me of the old man talking about the parking lots. Now, there are many things that I don’t understand about women, and I certainly don’t understand the last thing about American women – especially those from well to do backgrounds: Why do they spend the first 18 years of their lives consuming approximately 1000 movies about “true love”, cry their hearts out watching “Breakfast at Tiffany’s” or “Sleepless in Seattle” even if they’ve seen those a hundred times before, then get a great western education in some ivy league college to sharpen their minds – and then marry someone for his salary? Is this a case of genes winning over culture? I do see the inherent logic of course, but I still want to understand all this more fully. (I am aware that this is kind of a practical question, and a general one too. You may not be interested to go there. Still, the issue bothers me quite a bit.)

Copyright 2007 Jens Haas - www.jenshaas.com

Also, recently I’ve picked up an old habit and started to take pictures of animals again.

Hope to see you as soon as things calm down a bit. I do appreciate that I can write to you, as of course you know.

Jens”

“Dear Jens,

the subject of American women tends to come up with all my patients from overseas – men who in some ways love the US, but simply cannot get around the fact that they could never see themselves loving an American woman. Which of course causes great psychological turmoil, so no need to worry that you are raising the issue. For how can anyone consider coming to this country for good if there is no prospect of love?

However, here are a couple of points. First, it may seem pedantic to remind you that, according to your own – rather nebulous, I admit – account, you do have a girlfriend. Perhaps this is why you are presenting the issue as theoretical and academic, rather than practical and immediately pressing. But be that as it may (and I repeat what I have said before: I am not sure whether you are being completely frank with me when you mention this ominous girlfriend, who supposedly is, of all things, a philosophy professor, this being a detail which does not make your story any more plausible).

Second, and somewhat more to the point: Go and spend some time with American women, and you shall come to appreciate one of the deepest truths ever – we love what we know. European men have come up with what seem to me rather wild constructions (the ‘victory of genes over culture’, in your case) in order to mask an experience which all of us find bewildering and unsettling: encountering what we don’t know and don’t understand. More than in landscapes and buildings, this experience shocks us when it concerns other human beings. And worse than anything, other human beings whom we would like to think of as potential lovers! You think you see an overly materialistic outlook. But really, believe me, you simply see something you don’t know. Only time can heal this, and this means, only time spent here, rather than with your European mountain friends.

So I hope you settle in fast, and shake off the memories of by-gone cultures, seemingly still alive in the Alps! I find your shots of animals lovely (I know that’s not what you like to hear, but after all, I’m not an art critic), and I do admit that they make me see things a little from your point of view. But I worry that they are part and parcel of your escapist tendencies.

Let’s talk soon, and as long as you don’t feel like you’ve regained your inner balance, perhaps it is better to stay away from the big shots of the art world. You may need them! And like us American women (yes, I live here too!), you might come to see them differently at some point in the future.

Speak soon,

Dr. Hare”

What Typewriter Do You Use-Part 4

I think I owe you an update on my raw-converter comparison from earlier this year. Back then, I gave some reasons why I used DPP for Canon files quite often, especially for black and white. Well, I’m done with DPP and have entirely switched to “Adobe Photoshop Lightroom”. Two reasons:

Copyright 2007 Jens Haas - www.jenshaas.com

1. Canon makes pretty good cameras, but when it comes to software… DPP, in one of its earlier versions, had a conversion bug that rendered raw files down to 8 bit internally, but then exported them as 16 bit files. The resulting problem was not easy to find. But if you did apply “Auto Levels” in Photoshop after the raw conversion, you saw the infamous combed histogram. Back then (in 2006), the online community took notice, and Canon fixed the bug in an update.

Fast forward to the early summer of 2007. Canon updates their largely bug-free DPP to version 3.0.1. I download the update, do some color conversions, things look alright. I am traveling, and since there are no apparent problems I overwrite the applications folder on my backup disk with the newer version of DPP. Then, in a remote village in the Dolomites, I start working on my black and white Mountain Project again and want to convert the latest images. Surprise, surprise: The 8 bit bug is back. Sorry, but life is too short for this. Instead of looking for the older version of DPP on the web, I drop it altogether. (Canon has recently come out with DPP 3.0.2, and the bug is not fixed.)

2. Fortunately, Lightroom has become even better than it was when I did my comparison a couple of months ago. In version 1.1 you can now enhance local contrast quite effectively, sharpening is vastly improved, and so is the overall quality of the files. This is particularly true for black and white conversions, which now are as good or even better than conversions made with DPP (DPP without the 8 bit bug that is). There is still some blotchiness in high ISO files, but I know what to do about that in Photoshop. All in all, I don’t see any reason left to deal with DPP’s clunky interface and lack of features, let alone the bugs. For non-Canon files, especially for JPEGs from digicams (which I use more and more), there’s really no alternative to Lightroom at this point anyway.

Copyright 2007 Jens Haas - www.jenshaas.com

Since I don’t like not having alternatives, my hope is that Apple’s Aperture catches up soon. Rumors are that Aperture is currently being rewritten from the ground up. But I have a different theory: Adobe and Apple may have decided not to put any more resources in competing products, simply because they already have decided to merge at some point down the road. Adobe and Macromedia of course did the same thing before their merger happened, after users had been scratching their heads for years why excellent applications suddenly were developed in a very lackluster fashion, or axed altogether, resulting in two neat product portfolios from the two companies with hardly any overlap.

Elves and Gnomes

Copyright 2007 Jens Haas - www.jenshaas.com

I have this rather sweet friend and she has secured herself a place in my heart forever by making the nicest remark ever about two of my new mountain images (the most recent raw files lie dormant on my computer and truly pile up like mountains themselves). She said, on seeing these two images, that she sees elves dance and gnomes make their little jokes in the midst of the rocks (the elves she thought were in the light grey mist on the one picture, and the vicious gnomes in the dark rocks on the other).

Of course, that’s what I see when I make these images…

Copyright 2007 Jens Haas - www.jenshaas.com