Lasagne, And The Battle Of Eating Cultures, By Mara L.

There are few recipes that combine two features: I brought them home to Italy from New York City, *and* my family likes them. From the point of view of my family I have sold my soul to the propaganda of ‘healthy eating,’ a notion they can only use with very audible citation marks. So, how come that I am cooking a dish for them, one that is, according to the standards of healthiness that I have come to adopt, very healthy? I have no explanation, but I report that my hypercritical mother has become a fan of this super-light lasagne. After years of juggling between two cultures (a battle that Italians fight in the kitchen), this is a heart-warming success. I invited Jens when I cooked my lasagne the second time this summer. Since he is happy to document the traumas of the expatriate, he agreed to take some pictures.

Copyright 2008 Jens Haas - www.jenshaas.com

The cultural consensus is brought about by a trick. My lasagne is neither the abhorred “Vegetable Lasagna” that, from the point of view of my family, only weaklings will eat. But it is also not the heavy, meat-and-pancetta dish that makes you feel like you have to go on a diet for the next three weeks. It is a miracle consisting entirely of fresh lasagne sheets, tomato, and béchamel sauce (my version).

Copyright 2008 Jens Haas - www.jenshaas.com

Buy fresh lasagne, or make it yourself (I don’t bother), but don’t get the dried variety – it will lie for years in your cabinet, for as much as you plan to prepare it, as it happens you will never have the time to first cook it is a pot, lay it out nicely on kitchen towels, then make the lasagne, and then wait for it to be done in the oven… Put a large tin of very good Italian tomatoes in a pot and cook it, adding lots of basil at the end (the basil should not actually cook, just give off its scent; some olive oil goes into the pot first, then some salt and pepper; don’t do this in a pan: the acidity of tomatoes ruins the surface of pans and soon all the bad things that presumably are in these surfaces will be in your food). Take a second pot, some butter and flour into it, mix it up into a nice batter, add milk, stir it, more and more milk, until you have a nicely reduced, but still large quantity of milk. Now add lots of parmiggiano, and start layering. (I know, this is not real béchamel sauce. But it’s a fabulous variant.) First some tomato in your lasagne pan, then pasta, then béchamel sauce, and so on, always adding lots of fresh basil leaves in between.

Copyright 2008 Jens Haas - www.jenshaas.com

Even with the largest quantity of parmiggiano you can possibly dare to take, this will be super light and fragrant!

What Typewriter Do You Use – Part 11

Copyright 2008 Jens Haas - www.jenshaas.com

I don’t do a lot of gear talk here – but today’s announcement by Panasonic and Olympus to develop a heavily downsized “Micro Four Thirds” camera system with exchangeable lenses is great news (good gear head summary here, good technical analysis here). As of today, and until there are real products, basically your only choice is to buy a Canon or Nikon DSLR. Both of those systems, with mirror boxes, a plethora of legacy issues, and a lot of outdated lenses, stem right from the olden days of film (Sony and Pentax are no different in this respect). If, on the other hand, somebody started a comparable system from scratch today, using the latest technologies, the resulting camera system would look very different: smaller, no mirror box but electronic viewfinders instead, video mode, etc.; and while today’s digital compact cameras offer these features, they are kept dumb by the manufacturers to protect their cash cows – their DSLR lines.

Almost all camera manufacturers have been following this same strategy for a long time: to milk existing and largely outdated product lines as long as possible by offering piecemeal innovation, if even that. Panasonic and Olympus, on the other hand, have little to lose in the DSLR business. They do not have a large stake in that domain, and insofar were the most likely to make the first move. Rumor has it that both Canon and Nikon are to follow very soon, by filling the large gap between their existing DSLR and digicam lines. For me, all this will put an end to carrying around a lot of compromised cameras (both DSLRs and compact digicams), but concentrate on one small system again – a little like 10 years ago when I just owned two Leica M cameras and three lenses. Only this time, it will be a lot more fun…

If You Don’t Like The Weather…

Copyright 2008 Jens Haas - www.jenshaas.com

Here’s another new image from my Mountain Project, from this summer. While it’s too editorial for my taste (I wouldn’t hang it on my own wall, which normally is my benchmark for the final edit in any of my personal projects), the image is relevant for the series as a whole: This is how the Dolomites look like in early June, when the weather is changing every other minute and you feel like being confronted with an almost theatrical setting, and constant surprises. Here, in the foreground there’s harsh sunlight, a mile away to the right it is raining, and still farther back there’s this sunny haze that seems to be typical for the Alps at that time of the year. Two minutes later, and the scene would have been quite different yet again.

One more thing: A year ago I complained that if you photograph this kind of scenery with film, you are basically done in one 125th of a second, while with digital you can spend hours in Photoshop to achieve the same result. Not so anymore – digital cameras and software get better quickly, and as a result this one barely took me 15 minutes in post processing, with just very minimal changes re contrast. In a later entry I’ll try and pass on some simple tricks that can spare you a lot of post processing grief.