-
Authors
-
Recent Posts
Others
- 5B4 Photography And Books
- Artworld Salon
- Bruce Silverstein
- Dispatches
- DLK Collection
- Edward Winkleman
- Geoff Manaugh
- George Bush
- Hasted Hunt Kraeutler
- Hilobrow
- James Danziger
- Jen Bekman
- Jim Kempner
- Joerg Colberg
- Jon Swift
- Lauren Greenfield
- Little Brown Mushroom
- Magnum
- Michael Mazzeo
- Paul Kasmin
- Rob Haggart
- Sign And Sight
- Steve Jobs
- Susan Sheehan
- The PhotoBook
- Yancey Richardson
- Yossi Milo
- Zoe Strauss
Archives
- July 2010
- June 2010
- May 2010
- April 2010
- March 2010
- February 2010
- January 2010
- December 2009
- November 2009
- October 2009
- September 2009
- August 2009
- July 2009
- June 2009
- May 2009
- April 2009
- March 2009
- February 2009
- January 2009
- December 2008
- November 2008
- October 2008
- September 2008
- August 2008
- July 2008
- June 2008
- May 2008
- April 2008
- March 2008
- February 2008
- January 2008
- December 2007
- November 2007
- October 2007
- September 2007
- August 2007
- July 2007
- June 2007
- May 2007
- April 2007
- March 2007
- February 2007
- January 2007
- December 2006
Color White Gray Other
“I see nobody on the road,” said Alice. “I only wish I had such eyes,” the King remarked in a fretful tone. “To be able to see Nobody! And at that distance too!”
Sometime last November, I took the subway to Brooklyn and showed Stephen Mayes, the Director of VII Photo Agency, an advanced edit for my upcoming book. Stephen is one of the very few people I ever discuss unfinished personal work with. He flipped through the images on my iPod touch, while I had a very nice, well done cheeseburger – my favorite American food. Soon after I got back to Manhattan, I received an email from him with the offer to write an introduction for my book. If I remember correctly, I thought something along the lines of “yikes”…
The book, “Color White Gray Other,” is out now. You can flip through an online version of all 168 pages (here). It includes Stephen’s essay: “I Am What I See” (just click on the book symbol, above, or follow this link, and you’ll get a very nice full screen view that you can further zoom into). To me, the essay is a little frightening, because it cuts right through any defense systems I thought I had installed so carefully. Well, so be it. When asked, Stephen insisted that what he wrote is purely based on looking at the images, not on any conversation we had over cheeseburgers. I think that even if you are not at all interested in photography at all, let alone my photography, the essay is still a great read.
That being said, I certainly don’t mind if you flip through the rest of the book and look at the images too… If you like what you see, you can get yourself the printed book online (here).